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We've recently discovered a technical glitch with this blog page on www.chriscarter.co.uk where visitors see the raw HTML code... while on its Blogspot mirror page it's business as usual. We are attempting to track down the problem asap but in the meantime please bear with us. If you are viewing this on www.chriscarter.co.uk please use the Blogspot link above to view a clean version of this page.
We are also experiencing similar problems with Cosey's site and the TG site.
As a follow-up to the footnote in the post below I'll mention that after Tweeting my frustration at not finding a simple non-Flash (mobile iFriendly) solution to SoundCloud playback on my blog I got a lot of (what seemed to be) useful tips. Unfortunately non of these were nearly as simple or as elegant a solution as I'd hoped - or even assumed - would be out there. Chief amongst the respondents was fellow musician and all round tech genius Chris Randall - who had some really good laterally thought-out ideas.
So... unfortunately there isn't an immediate available, widely compatible solution and we have to wait for SoundCloud - and BandCamp - to update their webpage players to HTML5.
If you are a web developer, web designer or are just interested in this subject Chris Randall has posted a detailed blog on his thoughts resulting from attempting workarounds to this unusually complex and (to me) unexpected web problem. It and the many replies make very interesting reading.
http://www.analogindustries.com
Our first Dirty-Carter performance took place in Leicester on the 28th April and went exceptionally well. We played - we being myself, John Richards and the twenty-five piece Dirty Electronics Ensemble - six challenging experimental pieces to an appreciative full-house. Though in fact I only actually played in three of the sections, well I improvised if being pedantic. I have to say how enthusiastic and knowledgeable the ensemble were, without exception. It makes a refreshing change to come across such a disparate range of artists, musicians and technicians who can work together (and with an 'outsider' such as myself) with such a positive attitude.
John and myself will be participating in another Dirty-Carter workshop and performance at STEIM in Amsterdam between June 01 and 03 and if enough interest can be found we will stage the project at other locations later this year.
http://www.steim.org/
http://www.dirtyelectronics.org/
I have posted some photos of the Dirty-Carter rehearsals and performance on my Flikr pages, follow this link to view them: Dirty-Carter on Flikr
There's also a short review and interview with me & John here:
http://mikistrange.blogspot.com/2010/04/chris-carter-dirty-electronic.html
Tomorrow I'm teaming up with the twenty-five piece group Dirty Electronics Ensemble, led by noise doctor John Richards, to perform our piece for the 'Experimental Sound Generating Instrument' (E.S.G.I.). As you may already know the instrument also features an copper etching artwork designed by me... expect random sequences, distortion with noise coalescing in a hand-held instrument the size of a postcard. The performance takes place at Phoenix Square in Leicester on Wednesday April 28th.
Tickets: £8/£5 concessions.
Booking: To purchase tickets please call the Box Office on 0116 242 2800
or Book Online at http://www.phoenix.org.uk/index.php?cms_id=287
Box office closed.
I have a new 'Guest Mix' now available for all to hear at VESSEL. The 40 minute mix includes 20 disparate tracks from various sources and time periods that you may (or may not) have heard me DJ with before. Enjoy...
www.vesselmusic.com
I've uploaded a selection of my photos from the recent Cosey Complex / Cosey Club events at the ICA to my Flikr pages.
More shots (and video of the afternoon event) were taken by the ICA, if/when I can I'll post a link to them here.
>Follow this Flikr link<
In a collaboration project with John Richards Dirty Electronics Ensemble I will be participating in two experimental electronic music workshops and performances in April and June this year.
The first is at De Montfort University, Leicester in the UK - April 27-30 and the second is at STEIM in Amsterdam, Holland - June 01- 03.
The workshop project is to build a specially designed DIY Dirty Electronics experimental music instrument and perform with it as an ensemble. The instrument will feature an original copper etching artwork and circuit concept by me and has been designed and built by John. Expect random sequences, distortion and noise coalesce in a unique hand-held instrument the size of a postcard. Anti-Social noise for all!
More details and some photos soon... but in the meantime follow these links:
http://www.dirtyelectronics.org/
http://www.steim.org/
Myself and Cosey (Fanni Tutti) will be participating on one of the discussions panels at Parallel Voices 2010 - MISSING LINK on 18th March at the Siobhan Davies Studios in London. Also taking part will be: Blixa Bargeld, Carsten Nicolai and Ben Borthwick.
Website Link
There we were: me and Cosey sitting quietly waiting for the London bound train to depart on our way to Cosey's lecture at the Red Bull Music Academy in London.
Hang on a minute... there seems to be a lot of police in the station for a Monday morning, usually there are none. Oh they've got sniffer dogs too, and here come some more police in flak jackets with sub-machine guns, and those guys at the end of the carriage must be spooks or plain clothed cops - well they're definitely not civilians, civilians don't usually wear those single earpieces. And that woman coming down the aisle wearing a dark suite and a humorless expression has a pistol peeking out from under her jacket. OK, so the carriage we're sitting in at the front of the train - the 10.55 from King's Lynn - is basically swarming with constabulary, uniformed or otherwise, who are giving everyone the once over.
It wasn't ‘that’ unusual to see activity around our little train station. Living in this part of Norfolk we've got used to seeing the odd dignitary, or celeb. I would think it's much the same in many English rural towns with picturesque views, castles and quaint tea rooms. We get a a couple of movies and a few TV shows shot around here each year and it’s not unusual for the odd actor and politician dropping by. I even saw Al Pacino once, sauntering around the market - surrounded by 'minders'. And of course everyone around here has seen Stephen Fry shopping in town at some time or another, he's a local. I know it’s probably hard to believe - and I’m not blowing our own trumpets here (well not much) - but me and Cosey even get recognised and stopped for autographs in town at least a couple of times a year: see... I told you it was hard to believe? But I suppose our inconspicuous market town's biggest claim to fame must be our famous neighbour: HM Queen Elizabeth II, whose winter residence Sandringham is a couple of miles up the coast road.
So we're waiting on the train putting two & two together and thinking it will probably be Prince Philip (HMQ's hubby) going down to London again, we've seen him plenty of times... so no big deal. Or maybe it's some terrorist related exercise or other, who knows? But the train is ready to go and we're all just sat there waiting with restless flatfoots in abundance, when this petite, white haired figure in blue, wearing a silk headscarf bobs past our window and ducks into the (only and empty) 1st Class compartment in our carriage. The passengers (well those who saw her) do a double-take and the penny drops and everyone is like "oh... right, that's what all the dogs and bodies and hardware were for". The scenario was vaguely surreal to say the least.. we were to be accompanied on our journey by the Queen of England and her Royal entourage.
Once we'd set off, well we'd set off... that was that. It seemed mildly inconvenient with all the plods everywhere: eyeballing, taking up seats and wandering up and down and generally lounging to attention outside the 1st Class compartment - although unfortunately I saw no marching and saluting, is that inappropriate on a train? Maybe... anyway a few people joked that we'd bound to be on-time (ha ha!) and that the driver seemed to be driving the train a bit smoother than usual (is that even possible?), then - as you do on a 90 minute journey - we checked our emails and went on Twitter and of course we did a few Tweets about HMQ - as you would - and thought little more about it really. Although... it was fun ‘gun spotting' the plain clothed cops who went up and down the aisle. "he doesn't have one, she has a big one, he has a small one, that guy looks like he has two".
About 30 miles down the line we stopped at Ely station and a family of Americans got on board - we have a lot of 'US cousins' in this part of England, because of all the US air bases around here in East Anglia, so it was not an entirely unexpected addition. They sat next to me and Cosey - actually they sat down on either side of us - and were all gushy and full of "OMG! we just saw the Queen of Enger-land in the front compartment" and "it can't be the Queen of Enger-land, what's she doing on the 10.55 from King's Lynn?" Good question. Then the conversation went along the lines of: "why doesn't she go by State limo? why doesn't she fly to London - surely she has her own jet, like Air Force 1? or in her own helicopter, or her own train, surely her own train carriage?” All perfectly reasonable questions but we only knew the answer to one: she used to have her own train but stopped using it long ago due to 'Royal cost-cutting', or something, but don't quote me on that it could just be an urban myth. But their best quote had to be: "I've lived my whole life and never seen a US President in the States, I come to the UK and The Queen of Enger-land is on the first train I get... wait till I tell the folks back home". Cosey pointed out that as Britain is much smaller than the USA the the odds of bumping into Royalty were much higher here, which kind of went over their heads. But they did seem quite concerned that our dear old HMQ was traveling by public transport. So we told them not to worry as she was on a train full of highly trained armed guards and sniffer dogs to look out for her. But the 'sniffer dogs' comment got them worried about 'terrorist threats' and that maybe the train would be a ‘terrorist target’. So we let them worry and went back to our emails and Tweets. Until... they decided this was a Kodak moment, a photo opportunity not to be missed. Out came the cameras, flashes popping and, as we were only 5 or 6 rows from Her, not very discreet. Of course we got a visit from a stern plain clothed plod, who takes the two adults to one side for a wrist slapping and a dressing-down, and we overhear 'disrespect' and 'privacy' bandied about. All very funny - well it was for us at least.
As predicted by the wags at the beginning of the journey we did actually arrive on time at Kings Cross, and came to an unusually gentle halt, definitely none of the usual lurching and stalling. But once we'd disembarked we were all held on the platform by a line of police while HMQ - now looking all spick and span and sans head scarf - toddled off to a waiting limo outside the station.
There is no point to this story - well it's not even a story, more an anecdote - I'm just relaying what happened on one of the slightly more interesting trips we regularly take to London. But to bring this tale to an end... the next day The London Evening Standard decided to run a quarter page piece on our trip with HMQ: 'Her Majesty's close encounter with industrial anarchy' (LINK). They mention the Tweets (word for word) and lie about attempting to contact me and say “how tame they look nowadays”. WTF? They also refer to me as a "rocker & DJ" - which is very funny because anyone who knows me would agree that the "rocker" tag is about as inaccurate a description of me as you could make. But I'm still trying to figure out though why they decided to use an ancient photo of Genesis in a piece about me and the Queen. Unless it's some ironic reference to another old queen!
(no offense meant Gen...)
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