8 years ago
01 January 2009
I recently found this shot in our archive on a strip of TG negatives.
It's my studio in our apartment in Crouch End, North London and was taken shortly after TG split-up (first time) in 1981. This was the TG / Chris & Cosey crossover period and a few weeks before I got my Roland MC-8 MicroComposer.
Everything in this photo was used on later TG material and early Chris & Cosey releases and while I no longer own the majority of the gear I still have the Boss pedals, the Auratone speakers and the chair.
The modular system on the right consists of three Roland 190 racks and two 191J racks containing: two 182 Step Sequencers, 121 Dual VCF, 130 Dual VCA, 112 Dual VCO, 150 Ring Mod/Noise/S&H/LFO, 110 VCO/VCF/VCA, 172 Audio Delay/Phaser/LFO/Gate Delay.
Also included in the Roland racks were a number of my own self-built modules, including a: Digisound Dual VCO, Digisound Dual VCF, Digisound Dual VCA, Digisound Dual ADSR, Digisound Dual RM, Blacet variable clock/divider, a Gristleizer module and (in the top rack) a flanger/delay and a dual phaser/flanger/delay.
Under the modular system is a Boss DR-55 Dr. Rhythm (sitting on top of) a Roland CSQ-600 Digital Sequencer, a Roland TR-808 (one of the first in the UK I might add), a Sinclair frequency meter (for tuning) and a Roland 181 Controller Keyboard.
To the right of the modular (top to bottom) are a small sub-mixer, a Sinclair mutli-meter, a Leak power amp, s Boss KM-4 a Leak FM tuner and a custom digital delay line and a custom 10-band EQ unit (both self-built). In front of those are two Seck 6.2 mixers.
On the far right of the desk are (top to bottom) three Accessit compressors, a Roland SRE-555 Chorus Echo, H&H Slide Echo.
In the foreground are a couple of Roland Flanger pedals, a Boss micro Amp pedal and an Electro-Harmonix Gate pedal.
Also in shot are a Tandberg stereo reel-ree, a Tandberg cassette deck, a Warfdale cassette deck, a pair of self-built 8" speakers and a pair of Auratone 5C Super-Sound-Cubes.
Techy photo note: the photo was taken with a Nikon F2 using a 50mm 1.4 lens on Ilford FP4 film using available light.