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This new blog hasn't been publicized or 'officially' gone live yet and you've probably got here via another blog page. Currently it's a work in progress and the content is being transferred from my old blog as and when I get the time, which should be by mid-February.
While I have still to decide on the final layout and design - this layout is more of a 'holding page' - it is liable to undergo some changes in appearance and content and may even disappear occasionally. But please bear with me and it will eventually all get sorted.
For some time now, well since I sold all my analogue and modular synths back in 2007-8 - a moment of madness I'm still trying to live down - I've been hankering after another EMS Synthi... specifically a Synthi AKS, or Synthi A. I used to have an EMS Synthi VCS3 back in the mid-late 70s' and I loved it, but had to sell it just before we started TG (that's another story).
But since selling much of my old analogue gear last decade I've been looking to buy a self-contained analogue synth that I could travel with and the Synthi AKS would be ideal for my purposes. I've come across a few over the years, some utterly knackered (technical term), some pristine and some outrageously overpriced but I've always missed out in some way on a sale. The market value of EMS synths has risen exponentially over the last 10 years and some currently go for crazy prices, usually in bidding wars on eBay. Where frankly these things can get totally out of hand in the heat of the moment. Which is typical of most auctions I've attended, virtual or not. When I was in LA a couple of years ago my friend Lustmord mentioned that he was selling his Synthi AKS but at the time I wasn't in a position where I could make a decent offer for what was a really nice unit. As is happened he sold that AKS last year for $7k, on eBay. Like I said, some sell for outrageous prices.
Well I think i've waited long enough now so I'm putting the word out there that I'm 'seriously' looking to buy a Synthi... though I can't go to $7k and I don't really want to bid on eBay but I will consider most sensible proposals for a decent unit. Also I'd rather buy from the UK, or maybe Europe, but no further.
Update: I’m no longer actively looking for an AKS. See this post:
http://chriscarterchemistrylessons.blogspot.com/2010/03/my-little-synthi-aks.html
I recently found some scans of equipment brochures and catalogues from my extensive 30 year old collection. Some of the scans were done about 10 years ago and, to be honest, weren't very good as many were made up of stitched images or suffered moiré effects. The problem I've always found with scanning is that many of my brochures and catalogues don't fit into a standard scanner A4 or 'legal' window.
So yesterday I took some quick shots of a few sales brochures with my DSLR, from above, and the results are quite good.
I've published the first batch up on my Flikr pages but as there are so many (probably well over a hundred) and the process of copying/shooting, then trimming and uploading is quite long-winded I won't be doing any more until the later part of 2010. You could say this is a primer for what is to come...
As I’ve said before, 2009 was extremely busy for us and to be honest we probably took on too much work and too many projects and we have to learn how to say "NO" more often, and mean it. Of course the bills still have to be paid and it may seem odd to be talking about turning work down but ultimately our health comes first, well Cosey's more specifically, particularly with her heart condition, which isn't any worse but is definitely aggravated by stress and overworking.
Bloody hell, it's been two months since I posted anything on here. So I think my apologies are the order of the day... for being so outrageously lax. But to say I've been busy would be an understatement, of the greatest degree. There have been various ongoing (and unfinished) Carter Tutti projects, filming and remixes - assisting Cosey in her many solo endeavors and of course the ever present enterprises of TG. Of which the release of our new little musical box 'Gristleism' has been the most time consuming. But I'm not going to go on at any length, yet... as I'm in the process of designing and building a new website to replace this one you are on right now and I'll be updating my blog in the process. Check back here sometime in January 2010.
GRISTLEISM - So that cat is out of the bag: you can see some of its colour, its ears and the top of its head but it's not meowing yet and you don't know what kind of cat it is, so to speak. All I can say right now (am allowed to) is that it's a Throbbing Gristle product and it will be released by Industrial Records (cat no. IR2009005). An 'exclusive' edition will be available for pre-order in September from the TG Web Store and a regular edition will be available shortly afterwards Worldwide.
I can also tell you that we've been secretly working on this project for many months with Christiaan Viarant. I'm making an educated guess that many of you will figure out even more from these basic details I've given. But anyway you won't have long to wait... in the meantime go here: http://www.gristleism.com
Flikr photo set http://www.flickr.com/photos/chris_carter_/sets/72157622568217418/
I can't remember the last time Cosey and I were this busy, probably during our early to mid Nineties period. But then it was recording, performing and working on projects almost exclusively related to Chris & Cosey. And although we've always had Cosey's solo Art career running in parallel with what the two of us work on together it's since 2002 that we've had to factor in ever increasing amounts of Throbbing Gristle and Industrial Records related work and projects. But during the last 12 months TG & IR has at times almost taken over our lives (well mine & Cosey's at least) and has impacted our own solo and CarterTutti projects pretty drastically.
Even if you haven't read the TG book 'The Wreckers of Civilization' you may know that the core of TG/IR (the TG four) has always been run as a democratic co-oprative cottage industry. In as much that everything we do is decided by a majority vote, all our income is shared equally and we try keep as much as possible of what we do and how we do it 'in-house' - or 'in the family'. No matter what it may appear like to outsiders the realm of TG/IR is not a dictatorship, and it never has been. In the early days: the 1970s' & 80s', that literally meant everything, well except physically pressing records. We even ran our own cassette duplication facility, churning out thousands of cassettes and covers from a converted kitchen in Hackney. I used to rent or borrow vans and Genesis and me would deliver vinyl, cassettes, t-shirts and merch in person all over London. This was apart from all the equipment building, recording, editing, mastering, filming, videoing, performing and self-promotion we did. And for most of that period we all had regular day-jobs too.
So here we are in 2009... and there are obviously still aspects and areas within TG & IR that we individually excel at or specialise in, or are sometimes co-opted into out of necessity. But it seems a lot of what we do nowadays, to keep TG running smoothly (or at all) falls on the shoulders of Cosey and me. And if we didn't 'step up to the plate' as often as we do (which is pretty much all the time) I honestly think TG would fade out of existence and cease to exist as a living, working collective.
Just telling it like it is....
A=P=P=A=R=I=T=I=O=N, our TG sculptural collaboration with Cerith Wyn Evans is now on exhibition at the enormous Tramway gallery in Glasgow. If you get the chance please visit this for a truly unique TG audio experience. A=P=P=A=R=I=T=I=O=N is TG being restrained and ethereal... delicate almost. It is very hard to describe an encounter with the sculpture: it uses multi-channel, highly polished, highly directional audio spotlights to project sound in a slowly, ever moving collage that seems to appear and disappear in mid air and from many directions simultaneously.
Like I said totally unique. We are all hoping that A=P=P=A=R=I=T=I=O=N will travel next year, and although there's no definite info yet as soon as we do know we'll make an announcement. - More Tramway details here.
A=P=P=A=R=I=T=I=O=N photos on Flikr.
Excepter 12" (a future now series).
A project we've been working on with the band Excepter which is being released by Rvng, a small Brooklyn-based record label. This limited edition 12" is the first release in the series and features collaborations from NYC's industrial pranksters Excepter with Chris Carter and Cosey Fanni Tutti (of Throbbing Gristle, Chris & Cosey, Carter Tutti), JG Thirwell of Foetus and his many alter egos, and Jack Dangers of Meat Beat Manifesto. exceptor.com
I've recently deleted all my photos from this site and moved most of them onto my Flikr pages.
I have had a Flikr site for a year or so and any photos (or videos) I wish to share have lately been posted straight onto it, and viewers can leave comments (unlike here), so it didn't make sense having my photos spread across two sites any longer. I still haven't moved some of the travel, international and architectural images, but I will as soon as I get the time.
You don't need a Flikr account to view my photos but without a Flickr account you cannot leave comments, send me messages or access my fetish & bondage photo sets (link), which are tagged as 'restricted' by Flikr. Also if you wish to view my 'restricted' images and you have a Flikr account you may need to reset your preferences. My 'restricted' images are also not accessible if you are located in Singapore, Hong Kong, Germany or Korea: sorry, It's not my fault, that's just how Flikr works.
I can tell from my Flikr stats figures that a lot of people are viewing my photos (another good reason for moving my images from here), this includes the 'restricted' fetish & bondage sets, which is only to be expected I guess but PLEASE do not berate me for using Flikr as I'm happy using it (and I don't care what you experience is with it) and don't ask me to host my' images ('restricted or otherwise) on another 'photo sharing' site (way too much hard work) or to send copies to you by email as I don't (or will ever) have the time.
I hope you enjoy them... (link)
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