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Myself and Cosey (Fanni Tutti) will be participating on one of the discussions panels at Parallel Voices 2010 - MISSING LINK on 18th March at the Siobhan Davies Studios in London. Also taking part will be: Blixa Bargeld, Carsten Nicolai and Ben Borthwick.
Website Link
There we were: me and Cosey sitting quietly waiting for the London bound train to depart on our way to Cosey's lecture at the Red Bull Music Academy in London.
Hang on a minute... there seems to be a lot of police in the station for a Monday morning, usually there are none. Oh they've got sniffer dogs too, and here come some more police in flak jackets with sub-machine guns, and those guys at the end of the carriage must be spooks or plain clothed cops - well they're definitely not civilians, civilians don't usually wear those single earpieces. And that woman coming down the aisle wearing a dark suite and a humorless expression has a pistol peeking out from under her jacket. OK, so the carriage we're sitting in at the front of the train - the 10.55 from King's Lynn - is basically swarming with constabulary, uniformed or otherwise, who are giving everyone the once over.
It wasn't ‘that’ unusual to see activity around our little train station. Living in this part of Norfolk we've got used to seeing the odd dignitary, or celeb. I would think it's much the same in many English rural towns with picturesque views, castles and quaint tea rooms. We get a a couple of movies and a few TV shows shot around here each year and it’s not unusual for the odd actor and politician dropping by. I even saw Al Pacino once, sauntering around the market - surrounded by 'minders'. And of course everyone around here has seen Stephen Fry shopping in town at some time or another, he's a local. I know it’s probably hard to believe - and I’m not blowing our own trumpets here (well not much) - but me and Cosey even get recognised and stopped for autographs in town at least a couple of times a year: see... I told you it was hard to believe? But I suppose our inconspicuous market town's biggest claim to fame must be our famous neighbour: HM Queen Elizabeth II, whose winter residence Sandringham is a couple of miles up the coast road.
So we're waiting on the train putting two & two together and thinking it will probably be Prince Philip (HMQ's hubby) going down to London again, we've seen him plenty of times... so no big deal. Or maybe it's some terrorist related exercise or other, who knows? But the train is ready to go and we're all just sat there waiting with restless flatfoots in abundance, when this petite, white haired figure in blue, wearing a silk headscarf bobs past our window and ducks into the (only and empty) 1st Class compartment in our carriage. The passengers (well those who saw her) do a double-take and the penny drops and everyone is like "oh... right, that's what all the dogs and bodies and hardware were for". The scenario was vaguely surreal to say the least.. we were to be accompanied on our journey by the Queen of England and her Royal entourage.
Once we'd set off, well we'd set off... that was that. It seemed mildly inconvenient with all the plods everywhere: eyeballing, taking up seats and wandering up and down and generally lounging to attention outside the 1st Class compartment - although unfortunately I saw no marching and saluting, is that inappropriate on a train? Maybe... anyway a few people joked that we'd bound to be on-time (ha ha!) and that the driver seemed to be driving the train a bit smoother than usual (is that even possible?), then - as you do on a 90 minute journey - we checked our emails and went on Twitter and of course we did a few Tweets about HMQ - as you would - and thought little more about it really. Although... it was fun ‘gun spotting' the plain clothed cops who went up and down the aisle. "he doesn't have one, she has a big one, he has a small one, that guy looks like he has two".
About 30 miles down the line we stopped at Ely station and a family of Americans got on board - we have a lot of 'US cousins' in this part of England, because of all the US air bases around here in East Anglia, so it was not an entirely unexpected addition. They sat next to me and Cosey - actually they sat down on either side of us - and were all gushy and full of "OMG! we just saw the Queen of Enger-land in the front compartment" and "it can't be the Queen of Enger-land, what's she doing on the 10.55 from King's Lynn?" Good question. Then the conversation went along the lines of: "why doesn't she go by State limo? why doesn't she fly to London - surely she has her own jet, like Air Force 1? or in her own helicopter, or her own train, surely her own train carriage?” All perfectly reasonable questions but we only knew the answer to one: she used to have her own train but stopped using it long ago due to 'Royal cost-cutting', or something, but don't quote me on that it could just be an urban myth. But their best quote had to be: "I've lived my whole life and never seen a US President in the States, I come to the UK and The Queen of Enger-land is on the first train I get... wait till I tell the folks back home". Cosey pointed out that as Britain is much smaller than the USA the the odds of bumping into Royalty were much higher here, which kind of went over their heads. But they did seem quite concerned that our dear old HMQ was traveling by public transport. So we told them not to worry as she was on a train full of highly trained armed guards and sniffer dogs to look out for her. But the 'sniffer dogs' comment got them worried about 'terrorist threats' and that maybe the train would be a ‘terrorist target’. So we let them worry and went back to our emails and Tweets. Until... they decided this was a Kodak moment, a photo opportunity not to be missed. Out came the cameras, flashes popping and, as we were only 5 or 6 rows from Her, not very discreet. Of course we got a visit from a stern plain clothed plod, who takes the two adults to one side for a wrist slapping and a dressing-down, and we overhear 'disrespect' and 'privacy' bandied about. All very funny - well it was for us at least.
As predicted by the wags at the beginning of the journey we did actually arrive on time at Kings Cross, and came to an unusually gentle halt, definitely none of the usual lurching and stalling. But once we'd disembarked we were all held on the platform by a line of police while HMQ - now looking all spick and span and sans head scarf - toddled off to a waiting limo outside the station.
There is no point to this story - well it's not even a story, more an anecdote - I'm just relaying what happened on one of the slightly more interesting trips we regularly take to London. But to bring this tale to an end... the next day The London Evening Standard decided to run a quarter page piece on our trip with HMQ: 'Her Majesty's close encounter with industrial anarchy' (LINK). They mention the Tweets (word for word) and lie about attempting to contact me and say “how tame they look nowadays”. WTF? They also refer to me as a "rocker & DJ" - which is very funny because anyone who knows me would agree that the "rocker" tag is about as inaccurate a description of me as you could make. But I'm still trying to figure out though why they decided to use an ancient photo of Genesis in a piece about me and the Queen. Unless it's some ironic reference to another old queen!
(no offense meant Gen...)
This site update - the first substantial rebuild for quite a few years - took a lot longer than I expected (don't they always?), but perseverance, determination and a few nasty headaches ultimately got me there. There are probably still a few gremlins, odd bits of duff spelling, bad grammar, rogue code and broken links scattered around so bear with me as those bugs are ironed out. If you spot anything please drop me a line and I'll start making a 'to do' list of fixes. I've checked all 90 or so pages on the site using the current versions of: Fireforx, Safari, iCab, Flock, OmniWeb, Opera, Camino, Navigator, IE5-8 and iPhone... and 95% of the time the pages load as expected. The exceptions are that the randomly generated Flikr badge (a Flash badge) in the left-hand column does not display on an iPhone or some versions of Opera and IE... and the layout can often look odd in IE, although as far as I'm concerned that's bloody IE's problem. But I am looking for another non-Flash solution for the Flikr badge problem though.
So now I'm taking a few days off from coding HTML - I also just did some updates to my CCCL site, Cosey's site and the various TG sites too - because later this week I begin tackling the Carter Tutti/C&C website - which is long overdue a major overhaul and restructuring and which is probably at least three times as big as my own site!
This new blog hasn't been publicized or 'officially' gone live yet and you've probably got here via another blog page. Currently it's a work in progress and the content is being transferred from my old blog as and when I get the time, which should be by mid-February.
While I have still to decide on the final layout and design - this layout is more of a 'holding page' - it is liable to undergo some changes in appearance and content and may even disappear occasionally. But please bear with me and it will eventually all get sorted.
For some time now, well since I sold all my analogue and modular synths back in 2007-8 - a moment of madness I'm still trying to live down - I've been hankering after another EMS Synthi... specifically a Synthi AKS, or Synthi A. I used to have an EMS Synthi VCS3 back in the mid-late 70s' and I loved it, but had to sell it just before we started TG (that's another story).
But since selling much of my old analogue gear last decade I've been looking to buy a self-contained analogue synth that I could travel with and the Synthi AKS would be ideal for my purposes. I've come across a few over the years, some utterly knackered (technical term), some pristine and some outrageously overpriced but I've always missed out in some way on a sale. The market value of EMS synths has risen exponentially over the last 10 years and some currently go for crazy prices, usually in bidding wars on eBay. Where frankly these things can get totally out of hand in the heat of the moment. Which is typical of most auctions I've attended, virtual or not. When I was in LA a couple of years ago my friend Lustmord mentioned that he was selling his Synthi AKS but at the time I wasn't in a position where I could make a decent offer for what was a really nice unit. As is happened he sold that AKS last year for $7k, on eBay. Like I said, some sell for outrageous prices.
Well I think i've waited long enough now so I'm putting the word out there that I'm 'seriously' looking to buy a Synthi... though I can't go to $7k and I don't really want to bid on eBay but I will consider most sensible proposals for a decent unit. Also I'd rather buy from the UK, or maybe Europe, but no further.
Update: I’m no longer actively looking for an AKS. See this post:
http://chriscarterchemistrylessons.blogspot.com/2010/03/my-little-synthi-aks.html
I recently found some scans of equipment brochures and catalogues from my extensive 30 year old collection. Some of the scans were done about 10 years ago and, to be honest, weren't very good as many were made up of stitched images or suffered moiré effects. The problem I've always found with scanning is that many of my brochures and catalogues don't fit into a standard scanner A4 or 'legal' window.
So yesterday I took some quick shots of a few sales brochures with my DSLR, from above, and the results are quite good.
I've published the first batch up on my Flikr pages but as there are so many (probably well over a hundred) and the process of copying/shooting, then trimming and uploading is quite long-winded I won't be doing any more until the later part of 2010. You could say this is a primer for what is to come...
As I’ve said before, 2009 was extremely busy for us and to be honest we probably took on too much work and too many projects and we have to learn how to say "NO" more often, and mean it. Of course the bills still have to be paid and it may seem odd to be talking about turning work down but ultimately our health comes first, well Cosey's more specifically, particularly with her heart condition, which isn't any worse but is definitely aggravated by stress and overworking.
Bloody hell, it's been two months since I posted anything on here. So I think my apologies are the order of the day... for being so outrageously lax. But to say I've been busy would be an understatement, of the greatest degree. There have been various ongoing (and unfinished) Carter Tutti projects, filming and remixes - assisting Cosey in her many solo endeavors and of course the ever present enterprises of TG. Of which the release of our new little musical box 'Gristleism' has been the most time consuming. But I'm not going to go on at any length, yet... as I'm in the process of designing and building a new website to replace this one you are on right now and I'll be updating my blog in the process. Check back here sometime in January 2010.
GRISTLEISM - So that cat is out of the bag: you can see some of its colour, its ears and the top of its head but it's not meowing yet and you don't know what kind of cat it is, so to speak. All I can say right now (am allowed to) is that it's a Throbbing Gristle product and it will be released by Industrial Records (cat no. IR2009005). An 'exclusive' edition will be available for pre-order in September from the TG Web Store and a regular edition will be available shortly afterwards Worldwide.
I can also tell you that we've been secretly working on this project for many months with Christiaan Viarant. I'm making an educated guess that many of you will figure out even more from these basic details I've given. But anyway you won't have long to wait... in the meantime go here: http://www.gristleism.com
Flikr photo set http://www.flickr.com/photos/chris_carter_/sets/72157622568217418/
I can't remember the last time Cosey and I were this busy, probably during our early to mid Nineties period. But then it was recording, performing and working on projects almost exclusively related to Chris & Cosey. And although we've always had Cosey's solo Art career running in parallel with what the two of us work on together it's since 2002 that we've had to factor in ever increasing amounts of Throbbing Gristle and Industrial Records related work and projects. But during the last 12 months TG & IR has at times almost taken over our lives (well mine & Cosey's at least) and has impacted our own solo and CarterTutti projects pretty drastically.
Even if you haven't read the TG book 'The Wreckers of Civilization' you may know that the core of TG/IR (the TG four) has always been run as a democratic co-oprative cottage industry. In as much that everything we do is decided by a majority vote, all our income is shared equally and we try keep as much as possible of what we do and how we do it 'in-house' - or 'in the family'. No matter what it may appear like to outsiders the realm of TG/IR is not a dictatorship, and it never has been. In the early days: the 1970s' & 80s', that literally meant everything, well except physically pressing records. We even ran our own cassette duplication facility, churning out thousands of cassettes and covers from a converted kitchen in Hackney. I used to rent or borrow vans and Genesis and me would deliver vinyl, cassettes, t-shirts and merch in person all over London. This was apart from all the equipment building, recording, editing, mastering, filming, videoing, performing and self-promotion we did. And for most of that period we all had regular day-jobs too.
So here we are in 2009... and there are obviously still aspects and areas within TG & IR that we individually excel at or specialise in, or are sometimes co-opted into out of necessity. But it seems a lot of what we do nowadays, to keep TG running smoothly (or at all) falls on the shoulders of Cosey and me. And if we didn't 'step up to the plate' as often as we do (which is pretty much all the time) I honestly think TG would fade out of existence and cease to exist as a living, working collective.
Just telling it like it is....
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